—Utah Arts & Museums – For immediate release on March 1, 2016
SALT LAKE CITY — Utah Arts & Museums announces A Call to Place: The first five years of the Frontier Fellowship. The exhibition highlights the town of Green River through a project initiated by Epicenter, an interdisciplinary nonprofit organization.
The town of Green River lies within the lunar landscape of eastern Utah: rock cliffs reveal striations of sediment with boulders clustered below fracturing buttes. Green River is a place where the land is plentiful and the red dust, burnt cliffs, and lonely sky lie just beyond the end of its roads. Prismatic sunsets give way to stars that shine bold and close. If you’ve never seen monolithic terraces under an oceanic sky, Green River is the seeing place. The only town of consequence for many miles, Green River has been a welcomed sight to travelers for well over a century. Uranium mining, the construction of a missile base, and other economic booms led to times of prosperity that proved short-lived. As jobs disappeared and the newly built Interstate 70 routed travelers around, rather than through the town, businesses closed shop, buildings fell into disrepair, and the town’s population dwindled to its current size of 952. During the recent recession, Epicenter began partnering with the city and residents to reverse Green River’s economic misfortunes and strengthen the community.
Epicenter’s visiting artists, “Frontier Fellows,” prove an integral part of this revitalization by discerning and celebrating Green River’s rural pride and pioneering spirit. The exhibition, A Call to Place, features the first five years of Frontier Fellows, 50 visiting artists and collaborators who have each spent up to one month in residence generating place-based work in Green River alongside the community.
“We’re delighted to celebrate and reflect on one of our most stunning rural communities in Utah” said Gay Cookson Utah Arts & Museums Director, “Epicenter, and the respective fellows, are playing an important role in their community while expanding the boundaries of how we think about art making. Undoubtedly the contributions and perspective offered by these visiting artists will make a lasting impact.”
The exhibition runs from Mar. 18th-May 13th, 2016. An artist reception will be held on Mar. 18th from 6-9 p.m. for Gallery Stroll. The Rio Gallery is located inside the Rio Grande Depot at 300 S. Rio Grande Street, Salt Lake City. Gallery hours are 8 a.m. to 5 p.m., Monday – Friday. Additionally the Gallery is open in partnership with The Downtown Winter Farmers Market every other Saturday from 10am-2pm from January 16th-April 23rd, 2016.
Thanks to the National Endowment for the Arts (Artworks), Utah Division of Arts and Museums, AmeriCorps VISTA, and Steve and Juanita Sykes for their generous support of this project.
Charlotte XC Sullivan, Zoe Minikes, Zorth Pilioneta, Miles Mattison, Nick Zdon, Daniel Strauss, Nicole Lavelle, Ali Osborn, Jamey Herman, Richard Saxton, Sarah Baugh, Justin Flood, Raphael Griswold, Emily Howe, Aidan Koch, Shawn Creeden, Catherine Page-Harris, Kristina Fong, Corbin Lamont, Zach Bulick, Russell Kerr, Cabin Time, Erica Dixon, Dylan Adams, Bennett Williamson, Gina Abelkop, Colin Bliss, Lucia Carroll, Cyrus Smith, Sincerely Interested, Michelle Benoit, Molly Goldberg, Mary Rothlisberger, Celia Hollander, Ryan Ford, Grayson Earle, Jordan Topiel Paul, Andrew Hamblin, Spence Kroll, Eliza Fernand, Geoffrey Holstad, Rob Loucks, Pete Collard & Alice Masters, Lisa Ward, Emily Howe, Jordan Gulasky, Phil Dagostino, High Desert Test Sites, Laurelin Kruse, and Sarah Lillegard.
Design: Corbin LaMont
For more information on the Fellowship visit frontierfellowship.org.
RSVP to the event here.
I first came to Green River in February 2012 to visit my friend Ali Osborn, who was here as a Frontier Fellow. A drive through the San Rafael swell in the morning light, a few West Winds breakfasts, and walking an open field in the shadow of the Book Cliffs was enough to get me to apply for the Fellowship this year. I’ve happily spent the past six weeks watching Green River turn from summer to fall, working on a variety of projects, and trying to put my finger on what makes this tiny town so darned interesting.
I’ve moved six times in the past few years, and when I get back to L.A. next week, I’ll be packing up to turn right around and move again. Green River is by far the smallest place I’ve ever lived, and while it has it’s related small-town problems, it also has a profound simplicity that is entirely refreshing. “Why is there an Amtrak stop there?” asked my Mom. Why is Green River here at all? This is where the river gets shallow and slow enough to cross. There’s no big industry keeping the town alive, this is a place that people have been passing through for hundreds of years. This is the only place with water and gas for a hundred miles either direction on the interstate. The people are friendly, the sunsets are incredible. When they built the railroads, this was the overnight stop. Sometimes cars break down and their drivers just decide to stay. Simple.
Maybe that’s just the myth of The West playing tricks on me. But it’s the vast unfeeling desert creeping at the edge of town that made me see how hard people are working here, it’s stark cliffs towering over one tiny piece of humanity, everyone pulling their weight to keep it flourishing. The small business owners, the ranchers, the farmers, the volunteer Mayor, the people who organize softball games, and of course the Epicenter staff, helping keep roofs over people’s heads.
Here is a place where clearly you can be an agent of change. Coming off a busy summer managing a huge project, I was excited to have the time, space, tools, encouragement, lack of responsibility, and limited email access that would allow me to focus on my own projects for as long as it took to finish them. Like, ‘I made this, that means I am alive.’
Green River Community Radio
I built a Part-15 AM radio broadcasting kit, to experiment with broadcasting in Green River. I know about the programming side of radio but I wanted to learn more about engineering. I also filed an application for a Low Power FM license for Epicenter, which, if granted, would allow them to build an FM station that could potentially reach the entire town. Many thanks to Common Frequency, who helped guide me through the FCC’s application process.
I taught a weaving workshop at Epicenter, introducing the class to basic techniques on a frame loom, focusing on using yarn and fabric scraps, and showing ways to use cheap materials to make your own tools. I was really impressed with how quickly everyone got into the rhythm of the weaving, with some people finishing their first ever weaving in just three hours.
Next Punchline 30 Miles
I installed two 8′ x 12′ billboards as part of High Desert Test Sites 2013 in Joshua Tree, CA. The piece was designed and constructed in Epicenter’s backyard, and then deconstructed for transport. Thanks to AmeriCorps VISTA Ryann Savino who helped with construction and installation. She travelled with me and the signs to HDTS and wrote about the trip more detail in a previous blog post.
Additionally, I did a ride-along interview with City Ordinance Compliance Manager CJ Vetere for the upcoming Green River Magazine, worked shifts at the Green River Thrift Store, took a field trip to melon and corn fields with The Boys and Girls Club of Green River, helped plan the Melon Days Seed Spitting Contest and worked the spin art bike at the arts and crafts booth, worked on my crockpot cooking for family dinner (carnitas, beef stew, veggie chili), helped Armando put in a new ceiling at Faye Sweat’s house, fixed a bicycle, learned what a goathead is and then picked a million out of my shoes, saw the petroglyphs at Sego Canyon at dawn, borrowed Justin’s truck a lot (thanks Justin!!), ate curly cheese fries at Chow Hound, and much more.
Thank you Epicenter. You gave me a place to work, a place to live, a group of friends, and a real taste of life in a small town. I admire the work you do and I’ll be sure to come back to Green River to check in on you.